Ally’s writing keeps getting better with each book, which is something that I’ve mentioned in other reviews. She’s not a slacker author and works to make each installment of the series memorable. I keep saying, “This one’s my favorite” only to have the next one be my favorite.

Only the Good Spy Young will answer a lot of your questions. But, like with any decent covert operation, with more answers comes more questions. Zach does return, so I know my girls at school will be excited. A new staff member at Gallagher shows up: Agent Townsend, a member of MI6 (you know, like James Bond and Alex Rider). He adds his fair share of complications and leaves you wondering if he’s there to help Cammie or not.

Anyone who has talked with me for an extended length of time knows that I cheer for the villains in any story. It’s a strong villain that brings out the hero’s qualities and tempts them to compromise what they believe in (see also Heath Ledger in The Dark Knight). The Circle of Cavan returns. We find out that their connections reach deep into the CIA and other clandestine organizations.

Cammie doesn’t know who to trust and it’s for this main reason that I love the series. Junior high and high school students are surrounded daily by situations that break their trust. The books frame that dilemma in a spy context. It’s also during junior high and high school that we start to view our parents as real people and not idealized portraits. Cammie is searching for what happened to her father. Throughout her adventure she sees good and bad examples of parents (a moment where she chats with Bex’s father was so simple and yet so awesome) and tries to make sense of her situation.

The boy trouble returns. These two quotes sum up how Cammie has regular teen drama on top of life-and-death situations:

“I didn’t know whether to hug him or hit him (a feeling that I frequently associate with Blackthorne Boys, to tell you the truth)”

“‘He’s a guy, Cam.’ Macey pushed past me and led the way down the hall. ‘And a spy. He’s a guy spy. There’s always going to be something he’s not telling.’”

Readers are able to realize that other people are struggling with the same issues they are and that they are not weird. Cammie has a believable balance between confidence and doubt. She is maturing, though. Gone are the training missions. Every time the Gallagher Girls take on a mission now, it’s a risk.

I remember a conversation I had with Ally when she visited my library (librarians, you need to have her come talk with your students!). I told her how I love spy stories and how there’s a prerequisite for helicopters. Only the Good Spy Young met my helicopter quota. Something else I mentioned, though, was that I respect any YA author who can threaten her characters. Many times there’s too much suspension of disbelief.

I appreciated Mikaelsen’s Touching Spirit Bear because when Cole tries to stab a bear, he gets worked over. Moral of the story? Don’t stab bears. When spies are in the field, there’s a decent chance of them being captured, tortured, and shot. Saying anything more will reveal too much plot from Only the Good Spy Young.

Students, you might want to buy the book on your own. I will have multiple copies, but I can tell you that there will be a wait list. If you are new to the series, I recommend starting with Love You, Kill You. You’ll appreciate the growth of the characters and the depth of what being a Gallagher Girl means.

Ally, keep ‘em coming. I’m excited for senior year.

Finn lives in the prison but there are rumors that he is a starseer, someone who has actually seen the outside world. Claudia is the daughter of the prison’s warden and needs to make contact to someone inside the prison so she can avoid an arranged marriage.

The general plot points of the book don’t take too many risks. There’s no real deviation from the standard “I’m just a simple boy” “No, you’re the Chosen One” (Galileo Figero!) fantasy arc. Where Incarceron does keep your attention, though, is in its characters.

I think there’s something wrong with me. I always cheer for the villains in epic stories. Darth Vader doesn’t deserve all the bad press he gets.

The character I rooted for in the prison was the gang leader. Catherine Fisher does a great job describing him. I could picture him sitting on his throne with his food taster chained nearby, much like Jabba the Hutt. Add the villain’s superstition that he holds people’s souls in his rings and you have me intrigued.

Finn has a counter-part, Keiro. He’s Finn’s oathbrother but you never know if he’s going to betray his best friend when the opportunity arises. Keiro is uber-overconfident and struts around Incarceron as if he owns the place. Any scene with him usually has conflict and grabs your attention.

The plot does try to surprise with some character reveals of the “Oh. The hermit was actually a hero the whole time” variety, but you can see it coming. Towards the very end, though, the characters call each other by multiple names, signifying everyone’s hidden identity. It could have been the fact that I was reading during the last week of school, so there’s a potential I had temporary memory loss, but the end seemed a little confusing. It doesn’t take away from the story, but I caution my students ahead of time to pay attention as you near the last third of the book so you know who’s who.

It’s an enjoyable book that falls into the Hunger Games/Maze Runner Kids Being Stalked in an Enclosed Arena genre of fiction. If you liked those books, you should pick up Incarceron. You won’t be disappointed.

And yes, like any good YA fiction, it seems, we need a series. Book two, Sapphique, comes out this December.

I predict that it’s going to focus on a new set of campers. (Reading Last Olympian’s final chapters gives you some strong hints.)

In Powerless, main character Daniel moves to a new town and struggles to make friends (does every MG/YA hero need to re-locate before the plot can begin? Is it a symbol of unease?). He befriends a group of kids who share a secret – they are Supers. Some can fly, others can hear ants digging holes, and one just smells really, really bad.

The hook for this superhero novel is that at age 13 the kids routinely lose their powers. This is what separates it from most books, where the kids traditionally grow into their powers and responsibilities. The transition into adulthood is represented here by a loss of memory and abilities.

What made the book for me is the villain. I don’t want to reveal too much because figuring out the villain’s motivation is central to enjoyment of the story.

Superhero tropes run rampant through the book. Matthew Cody knows his stuff. Another fun aspect is that Daniel, a powerless individual, has Sherlock Holmes as a role model. Daniel adopts some of Holmes’ philosophies and uses detective skills. Since I am a much bigger fan of Batman than Superman, I appreciated a hero who put clues together and didn’t just fly right by with superspeed.

Powerless is a fun novel for the middle grade readers, so junior high librarians would be wise to put it on their shelves.

Arch Enemy has the same fun from the other books. Hatter Madigan shows up (I’d be angry if he didn’t) complete with his Millinery arsenal. As in Seeing Redd, we witness more of the Hatter’s family life. This book definitely has an emphasis on developing the character of Homburg Molly. She’s the one to show up in England and interact with the Liddells and Charles Dodgson.

We get to see more of Dodgson’s day-to-day life. What makes it LGW, though, is when the assassin with razor blade fingerprints shows up to harass the Liddells.

You definitely need to read the first two books in order to understand Arch Enemy. It had been a couple of years since I did, so it took me some time to recall the plotline of the others. Beddor does a good job of re-describing characters but does not spend much time re-telling history.

If you’re a fan of the caterpillar oracle council, you get to see the whole rainbow discussing the fate of Wonderland. Part of the intrigue is trying to figure out the caterpillars’ motivation. Pay attention to them, though, because their part grows throughout the book.

For me the ending seemed kind of rushed. I was reading, thinking, “There’s ten pages left…how is this going to resolve?” I pictured Alyss and Dodge as in their teens but then some artwork inside the book makes Dodge look more Han Solo-ish. Also, there’s a marriage proposal brewing that came out of nowhere. Sure, it adds to the relationship with Alyss and Dodge, but it seemed kindof tacked on to me. I’d be interested to hear other people’s thoughts.

This is an enjoyable book and fans of the series won’t be disappointed. It says that it’s the conclusion of the trilogy, but Beddor left the world wide open for more exploration. Expect more Hatter comics and online games.

It is a new series, to be clear. Cammie does not show up at all, although I think a Cammie vs. Kat showdown (in the same degree as a Batman vs. Superman, Spider-man vs. Wolverine conflict) is in order. Kat demonstrates the same strong protagonist characteristics as Cammie. I would argue Kat shows even more.

The set-up is that Kat has left the family business of thieving and has tried to pull off the ultimate con: live a normal life at a boarding school. News of her father’s trouble reaches her and she must get back into the game to save her dad.

If you are a fan of movies like Oceans 11 or The Italian Job, this is a must-read. Kat has to assemble her crew and each contributes their special abilities towards the goal of robbing the Henley. You’ve got your tech person, your pickpocket, and your diplomatic “face”. How the crew cases the museum is pretty funny and the tone highlights the fact that these characters are not the villains of the book, even if they are trying to steal thousands of dollars worth of paintings. There is genuine concern for the characters’ safety, but not to the extreme of Hunger Games/Catching Fire.

I feel like Kat has more focus on her objectives than Cammie did. Cammie could be distracted very easily by Zach and Josh. Kat still has two boys to try and figure out, but her long-time friend Hale outclasses Nick the pickpocket by far. (I know that this point will become an issue of debate in February when Heist Society hits the shelves, but come on! Hale is awesome.)

The book does have a more mature feel than the Gallagher Girls, a fact enhanced by Kat’s level of maturity. It’s not like there’s any questionable content; you can just tell that Kat has seen more of the world. The author mixes references to historical events and actual locations with fictional characters, locales, and pieces of art. It’s a great world that Ally Carter has envisioned.

What’s really exciting is to see Ally Carter mature as a writer with each book she creates. It would be easy for a series writer to slack off with one of the books ([cough]Final Warning[/cough]) and many times I finish book one to a series thinking that more plot could have gone into the first book. Heist Society has great pacing and can stand alone as its own book. You definitely want to hang out with the likes of Uncle Eddie and Bobby Bishop more (and figure out who framed Kat’s dad), but you could stop at Heist Society and know you’ve enjoyed a complete story.

I wouldn’t recommend stopping after just one book, though. Ally’s currently working on book two while we wait for GG4: Only the Good Spy Young to come out in June. Make sure you grab a copy of Heist Society in February (librarians, you’ll want multiple copies).

As I began Crocodile Tears, I thought, “Can this get me back from ‘I enjoy the series’ to ‘I rave about the series’?”

I love how Horowitz starts out the novels with an opening scene much like a James Bond movie. We see minor characters involved in some sort of trauma, introducing a sliver of the main conflict. We also don’t see Alex Rider, for the most part. Chapter one gets you hooked with a disaster at a nuclear power plant. A charity swoops in to help immediately and we are instantly suspicious that the charity may have known ahead of time when the disaster was going to happen.

I was nervous, at first. I’m a huge supporter of helping out wherever you can, even internationally, so I was hoping that Horowitz would not paint a jaded view on aid organizations. There’s a great conversation where Alex Rider is defending people who donate because it’s the right thing to do, not because they’re playing some kind of game.

Desmond McCain is a good villain in the spy movie sense. There are some times where the cheaper, easier way to win would be to just kill Alex and be done with it. Nope. Just like it’s mentioned in Pixar’s Incredibles, the villain monologues and explains the plan, trusting the henchmen to finish the job. Not the most logical way to enact your evil schemes, but it definitely fits the style.

A student and I had debated on whether Alex Rider had actually killed anyone in his books. The villains pursue him to the “Captain Ahab” level of obsession to their own demise. In this one it’s pretty clear: bad guy is going to kill Alex, Alex kills him first – but it’s under a spy code of morality.

1. You point a gun at someone and shoot, you’re an assassin.
2. You create an elaborate plan to watch the person die, you’re a supervillain.
3. You create an elaborate plan using just what’s on you at the moment (perhaps feeling a degree of remorse), you’re a super spy.

Alex is angst-ier this time around.

Something that I had lost sight of is that the entire series has just been one year in Alex’s life. In other words, he has missed a TON of school. Crocodile Tears highlights this; the adults finally realize that this 14 year-old should probably attend a full day of school from time to time.

It’s definitely not the end to the series. There is still room for Alex to grow throughout the years. Crocodile Tears is an enjoyable read. (I’m still biased towards Scorpia, but I’m excited to see where the series goes.)

I picked up this book because it was a short read. After a big epic-type book like Leviathan, I wanted a book that I could speed through. Also, despite their popularity, there are not many stories about samurai in the YA market (or at least ones that promise a little bit of realism). I started it wondering how authentic the book would be to 16th century Japanese lifestyle.

The Way of the Warrior by Andrew Matthews is the story of Jimmu, a 10 year-old boy whose father dies in the first chapter of the book. Jimmu is then taken in by Nichiren, his father’s bodyguard. The set-up for the quest is that they will search for Lord Ankan, the person responsible for destroying Jimmu’s family.

The book reads like a good samurai movie, such as Akira Kurosawa’s Seven Samurai or Hiroshi Inagaki’s Musashi Miyamoto. Because the book is so short, the action sequences move very quickly. It’s not these long, drawn-out Hollywood scenes. One or two sword slashes determine the end of a duel. Something that I did not expect was who would live and who would die by the end of the book. I figured, “Hey. This character has a name, we know his background; he must be…” and then the character was dead on the ground. That kept me guessing and really added to my enjoyment of the story.

Characters that I was pretty certain would make it were the rulers from that time period. I knew that Tokugawa Ieyasu would make it since he eventually helped unite most of Japan. I’ll be honest with you, though. Most of my knowledge of 16th century Japan comes from playing Kessen on the PS2, so I had to check my facts with a little research.

For being such a short story, the characters do develop a little. It’s not all swordfights; there are traces of dialogue (although the conversation sometimes ended in swords being drawn).

Final verdict: I think it’s an enjoyable read, much better than most books that length.

In addition, there are many more books about World War II than World War I. I wonder if it’s because more veterans from WWII are alive, or if our perceptions of the war have clearer boundaries between right and wrong, or maybe it’s because Indiana Jones fought Nazis and we all want to be like Harrison Ford.

Leviathan is a steampunk version of World War I. The Clankers (Westerfeld has such a knack for fun to say words) consist of the Austrians, Germans, and Ottoman Empire. Alek is a Clanker, trained in the art of fighting with giant robots. Steampunk is a subgenre of sci-fi, with the technology being more like Jules Verne and from that transition into the 20th century. The Clanker mechs run off of kerosene, steam, an a whole lot of levers and gears.

The other side fights with genetically engineered whales. I mean, obviously.

You do have the two perspectives, one protagonist from Clanker, the other from Darwinist, and of course they’re going to cross paths – this is a YA book. Deryn has a whole Mulan thing going on, hiding the fact that she’s a girl so that she can enlist for the Darwinist forces. We’ve seen that plot hook done many times before, but it’s a necessity if you’re talking British military from 1914. We’ve also seen the shipwrecked airship mixed with a feisty female scientist, like Ken Oppel’s Airborn series.

Even though many parts of Westerfeld’s book are tropes used in other stories, Westerfeld still puts his fun spin on them for an enjoyable book. Another fun aspect is looking up the real life events and people from World War I to further explore this alternate history. It is a series; I am anxiously awaiting book two. The first booktalks today for book one drew a lot of student interest.

I did pick up Maze Runner and enjoyed it. The focus is not so much on nature survival as it is on trying to figure out why the teens are in the maze. Protagonist Thomas has had his memory wiped and wakes up in a box. When the box opens, he is in The Glade, a place for Peter Pan-esque Lost Boys to congregate. Thomas gets curious about the maze and wants to be a Runner to help map out the pathways and perhaps lead the other teens out of the maze.

It is a definite first book to a series. A majority of the book is focused on setting up this strange world and building intrigue into who the creators of the maze are. There are some action sequences throughout, like facing off against maze denizens such as the Grievers, but the big action sequences are saved for the end.