Selznick’s Wonderstruck is in the same style as his Hugo Cabret. The massive illustrations contribute significantly to the narrative, although Wonderstruck switches it up a bit. For most of the novel, the text follows Ben, a young orphan in 1977 as he tries to find his father. The pictures, though, are of a young girl in 1927 running away from home. The two plotlines mirror each other in engaging ways and, since one is in text and the other pictures, Selznick can jump back and forth between time periods without too much trouble.
The book explores Deaf culture (lower case “d” is the condition, upper case is the culture) in two different eras. One thing I never really thought about before was that, during the silent movie era, both hearing and nonhearing audiences could enjoy the movie just the same. Once theaters added “talkies”, a whole people group was left out.
Side note: did you know that some movies offer captioning? Check out http://www.captionfish.com/ to search for captioned movie showings in your area.
The book moves quickly, although it feels like there is more text in Wonderstruck than Hugo. I also missed the photos from movies that Hugo had. We do get to meet Lillian Mayhew, an actress from the 1920s that went through personal scandals in Hollywood. We also learn about some of the inner workings of museums around New York.
It’s one to check out. I finished it within a 24-hour period. I really enjoyed seeing a Star Wars poster in the background of one of the drawings, since the book takes place the summer of 1977. One thing you’ll have to look for when you read it: all of the references to E.L. Konigsburg’s From the Mixed Up Files of Mrs. Basil E. Frankweiler.